In my sculptural and installation-based practice, I create situations in which the viewer is not merely an observer, but an involved participant. My works often rely on ritual-like structures that evoke social and ethical decision-making processes such as responsibility, judgment, participation, and withdrawal.

My visual language is closely connected to materials and forms rooted in rural and folk culture. I work with ceramics, wood, plant-based elements, sand, steel, and ash. For me, these materials are not decorative tools, but carriers of collective memory and social experience, capable of revealing the mechanisms through which norms and decisions shape individual lives.

Participation in my work does not appear as spectacular interaction, but as an ethical stake. The viewer’s actions often leave lasting traces on the work, so its final form emerges from the interaction between artistic intention and audience responsibility.

My aim is to create experiential spaces in which personal perception is intertwined with social and existential questions, primarily through large-scale installations and site-specific works.